October 16, 2020
The Wall Street Journal today published a big story about the inner workings of Facebook's approach to political news coverage on its site. It includes this bit:
To say this is frustrating is an understatement, both for us as an organization and for me personally. I joined Mother Jones in 2013 to lead our social media efforts and was the architect of our Facebook strategy. It was incredibly successful; we saw our readership skyrocket and our social team grow. With expanded resources, we've been able to invest in other platforms and mediums, but Facebook was the beachhead and our work on the platform was considered a big win for us, to reach more people and achieve this magazine's ultimate goal: having an impact. In late 2017 and early 2018, I had multiple meetings with Facebook executives about algorithmic changes. They were making adjustments, they said, and all publishers should expect traffic and engagement to go down a bit, but not in a way that favored or disfavored any single publication or class of publisher (unless that organization engaged in various bad behaviors). Here is a line I wrote in an internal memo describing one of the meetings: "In general, I don’t think this is the nuclear bomb everyone sort of assumed a few weeks ago." Well, I was very wrong. Our reach plummeted. You can read about some of the real consequences of this in a column my bosses, Monika Bauerlein and Clara Jeffery, wrote last year. "What did these changes in algorithm mean to Mother Jones?" Clara tweeted today. "Something like $400,000 to $600,000 a year. That's big for a news org our size." Working in social media is a weird job. I am amazingly lucky to get to work with three of the best and most thoughtful and creative social media editors on earth, Jackie Mogensen, Inae Oh, and Sam Van Pykeren. One thing that makes them good is that they really care. They want people to read the stories. They want to make a difference. And a lot of times, it doesn't work and that's just life, but when it doesn't work at all, it is very frustrating. Because you feel like you've let down not only your audience but your colleagues. It feels difficult and frustrating to keep running into walls. So to learn that the walls were placed there intentionally, so my colleagues and I would be stopped as we tried to promote our magazine's work, makes me livid. I reached out to Facebook for comment this afternoon and was told the same thing they told the Wall Street Journal:
I have no secret information about the Journal story and its reporting. I don't know who they spoke to. But it's a pretty good newspaper with wonderful journalists and they wouldn't publish this without having confidence in it. And perhaps the most telling fact check here is what happened: Ben Shapiro and conservative sites did indeed win from those algorithmic changes, and Mother Jones and progressive sites did indeed lose. Internally at Mother Jones I have always been Facebook's biggest advocate and have always given it the benefit of the doubt, because the people I've personally worked with and known there are unfailingly nice and decent people. I've never met their bosses. I recognize mistakes they've made, but whereas many people attribute them to malevolence, I've always thought it more likely folly. Here's another line from that memo I wrote: "It seems like they really aren’t sure what it will mean." Maybe that was true. Maybe the Journal report is wrong. Maybe it's just a coincidence that the top posts on the site are now all from conservative publishers. "What men dare do! What men may do! What men daily do, not knowing what they do." But maybe not. Maybe it doesn't matter anyway. Maybe what maters is the results. So, help me, won't you? Every day on Facebook conservatives dominate the most shared stories. Let's change that, even if for only one day. Please share this post, and please share Monika's article from 2019, aptly titled "How Facebook Screwed Us All." And if you can, please join your fellow readers and support our nonprofit journalism! Thank you! We couldn't exist without your support! —Ben Dreyfuss It’s not just spreading phony stories everywhere—it’s killing real news. BY MONIKA BAUERLEIN AND CLARA JEFFERY
BY ABIGAIL WEINBERG
BY RUSS CHOMA
BY KARA VOGHT
BY KEVIN DRUM
SOME GOOD NEWS, FOR ONCE
There are many reasons—too many to count—why Twitter is bad. Putting aside that it still hasn’t banned Nazis, or that it’s doing a piss-poor job of preventing the spread of disinformation, it’s also a platform designed to indulge in our worst internet habits. Doomscrolling on Twitter does nothing more than exacerbate our sense of existential dread. It fuels our stress, anxiety, and anger. And that’s especially true in the midst of a pandemic and the most bonkers election in at least a generation. But every once in a while there comes a time where two people on that cursed site have a meaningful exchange—something that I, perhaps naively, want to believe is why Twitter was created in the first place. These instances are fleeting and don’t usually amount to much. But in the case of John Darnielle, the frontperson of indie-rock legends the Mountain Goats, one such exchange led to a beautiful new song, called “Picture of My Dress,” on the band’s upcoming album.
As Darnielle explained on—you guessed it—Twitter yesterday, the song comes from a Twitter exchange he had with poet Maggie Smith, who in late 2018 tweeted about her desire to see a photo essay of a divorced woman driving across the country to take pictures of her rumpled wedding dress in various locales. “It’s a metaphorical ‘Weekend at Bernie’s,’” she wrote. Darnielle replied back, perhaps cheekily, that “this would be a song called ‘Picture of My Dress,” and that the ideal musician to write it would be Mary Chapin Carpenter. Of course, that didn’t happen and Darnielle ended up writing it. Like most Mountain Goats songs, it’s a sanguine story. It’s a lovely little tune with some of Darnielle’s trademark wit and observational humor (I laughed at the line: “I’m in the bathroom of a Dallas Texas Burger King/ Mr. Steven Tyler is on the overhead speakers/ He doesn’t want to miss a thing.”). Would it have been better if Mary Chapin Carpenter wrote it? Probably. But a Mountain Goats song about this is the next best thing. —Matt Cohen Did you enjoy this newsletter? Help us out by forwarding it to a friend or sharing it on Facebook and Twitter.
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